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During the pursuit, dialogue will not play when the Weazel News helicopter camera is viewed, as this will prevent dialogue from playing altogether. Dialogue will pause during several camera "focus" modes (on aircraft) and resume after regaining full control. Certain dialogue will be skipped if the player keeps up with Molly throughout the chase.
Inside the hangar, some dialogue will be skipped if the player rushes the chase through the hangar corridor, quickly picks up the reel, and enters a vehicle to exit the hangar. Dialogue will not play when inside the Shamal located in the hangar.
You done good, kid! You kept this bullshit up long enough to help me trigger a fantastic insurance payout when the plug is pulled. I love you. You're...you're like my spirit brother now.
Michael:
Where's Solomon?
Devin:
He's out getting the negatives, the film, whatever the fuck it is. The last dinosaur in town is about to get fossilized.
Michael:
What are you talking about?
Devin:
Look, the movie's nearly done, so if the plug's pulled now, the investors, meaning us, get a massive insurance payout. Meanwhile, I can use that to get the other major shareholder, the old bastard's idiot son, to agree to tear this relic down and let me redevelop the area for condos. And in this economy, the city's gonna let me build tax free. I might even get some rebates. It is a brilliant thing and it is all thanks to you, and Molly's eye for the details of the insurance policy.
Solomon bursts into the room holding the film reel.
Michael! They're fucking us! The suits! And they don't even wear suits! Wolves in turd's clothing!
Molly:
Try not to take it too badly, Mr. Richards.
Solomon:
Were you ever a human being?
Devin:
Look, people used to like films, now they like what? Videoing themselves beating off on their iFruit phone. Don't blame me. I'm a very spiritual person. I feel badly about this, but evolution is evolution. Gentlemen, Molly. Namaste.
Molly:
Can I take the film now, Mr. Richards? My plane leaves in twenty-five minutes.
Solomon:
Can't we do something? At least let me finish the picture? Then close the place down.
Molly pulls the reel out of Solomon's hands.
Molly:
I'm afraid our timetable doesn't allow for that. Goodbye, Mr. Richards.
Molly leaves the office, leaving Solomon and Michael confused.
Michael:
Where the hell is she going with that movie?
Devin:
She is taking the only copy offshore, somewhere nice and discreet. Analog! God, it's certainly got its complications...
Solomon:
Michael, can you do something?
Devin:
No, he can't do anything, pal. It's an inevitability!
My wife got screwed by a yogi... and now I'm getting screwed by a yogi? Fuck! That!
Michael pushes Devin before running for the door, leaving Devin in worry.
Michael:
I'm a producer! Nobody fucks with my film!
After leaving the studio, there are two possible lines of short dialogue for Michael.
Transcript
Michael leaves the studio.
Michael:
Template:BPGet to the airport, talk to her, that's it.
Template:BPOkay, okay, the airport.
After driving a certain amount of distance away from the studio, Devin will call Michael. The phone call is entirely scripted and Michael can hang up the call, in which case Devin will text Michael what he wanted to say.
Transcript
Devin calls Michael shortly after Michael leaves the studio.
Devin:
Slow it down, Slick. You're not thinking.
Michael:
Hey, I'm a producer. I'm producing the goods.
Devin:
Don't do this, Slick. Think, she's got a police escort, she's on the way to my personal hangar, security at the airport work for me.
Michael:
I just wanna get the film back before she does anything rash with it.
Devin:
Molly's highly strung. She's not going to stop and talk it out with a deranged killer chasing after her.
Michael:
That ain't who I am... today. Look, I don't wanna hurt anyone, I just wanna get my movie.
Devin:
Slow down, and use your brain. Fun time is over.
Devin ends the call.
Michael:
Ahhh.
When reaching Molly's location, Michael's and the police's dialogue during the entire length of the pursuit is scripted, however there is two possible variations of each line.
Attention, La Puerta units: Requesting a VIP escort for Miss Molly Schultz. Destination is the east hangar at Los Santos International. Requesting ground and air units, code 3.
Michael approaches Molly, who is racing towards the airport.
Michael:
Template:BPWhat's she up to?
Template:BPWhat's she doing?
Two Police Cruisers pursue Molly.
Police Officer:
Template:BPMs. Schultz, there is no need to panic. The LSPD are here to escort you to the hangar.
Template:BPMs. Schultz, please calm down. We're here to escort you to the hangar.
Driving towards the airport...
Police Officer:
Template:BPYou do not need to go that fast. Please relax.
Template:BPThere is no need to drive erratically. Please calm down.
Passing the Devin Weston Hangar...
Police Officer:
Template:BPYou went past the hangar!
Template:BPThe Devin Weston hangar was back there on your left!
A Police Cruiser crashes into the tanker truck and explodes.
Michael::
Template:BPHoly shit!
Template:BPWhoa! Fuck!
Molly drives through the airport's terminals and past a fire training exercise.
Police Officer:
Template:BPMs. Schultz, you are in the path of aircraft, this is not a safe place to drive.
Template:BPMs. Schultz, you are endangering yourself and my fellow officers.
Michael:
Template:BPSay it like it is, she's totally flipped!
Template:BPYou're telling me, she's gone crazy!
Molly drives onto the runway with a landing Jet.
Michael:
Template:BPYou wanna take a plane full a tourists with ya?
Template:BPOh, oh, oh - the plane!
Two police cars are destroyed by the landing plane.
Michael:
Template:BPShit!
Template:BP
Molly drives head-on towards a landing plane.
Michael:
Template:BPYou're playing chicken!
Template:BPNah, nah, nah, nah.
A police car is destroyed by the plane's landing gear.
Police Officer:
Template:BPGet off the runways, now!
Template:BPMs. Schultz, stop the car!
Template:BPStop your car now, Ms. Schultz.
Template:BPPull over now, Ms. Schultz!
Template:BPWe'll protect you, just pull over.
Template:BPStop your car!
Michael:
Template:BPStop the car, lady!
Template:BPPull it over already.
When Molly reaches the hangar side door, she steps out of the car and runs into the hangar. There is various dialogue during this sequence.
Transcript
Molly gets out of the car and runs inside the hangar corridor.
Molly:
Template:BPHe wants to kill me! He wants to kill me!
Template:BPThat man's a murderer! He wants to kill me!
Police Officer:
On the floor, lady! On the fucking floor!
Hangar Public-Address System:
Clear the hangar!
Molly:
Template:BPHe's a psychopath!
Template:BPHe kills people! Help me!
Template:BPHe's a maniac! Stop him!
Template:BPStop him! Stop him, he's a killer!
Template:BPSave me from this murderer!
Template:BPI'm just a white collar criminal, but he's a real one!
Michael:
Template:BPI think you need some help right now!
Template:BPLady, you need a friend!
Template:BPMolly! Molly!
Template:BPMolly!
Template:BPHey, come on!
Template:BPJust fucking stop!
Template:BPStop, would you? Give me the film. It's the right thing to do!
Molly pushes and aircraft attendant out of the way before running in front of the jet's turbine.
Molly:
Template:BPMove! A mad man's coming!
Template:BPOut of my way!
Aircraft Attendant:
Template:BPHey, hey, hey, you can't be in here, stop!
Template:BPHey! You can't be here. Stop!
Michael::
Template:BPWhoa! Stop! Look out!
The jet turbine starts up and Molly is sucked in.
Molly:
Template:BPArgghhh!
Michael:
Template:BPEurrrrrr.
Template:BPThat was nasty, and needless.
Template:BPThat didn't have to happen.
(Michael, escaping the police)
Michael::
Template:BPHey, I'm just a witness, okay!?
Template:BPHey, I ain't done anything!
Template:BPShe's the one behind this!
Template:BPI got what I came for, I'm leaving!
Template:BPAll this mayhem - nothing to do with me!
Template:BPTrespassing - that's the most you got on me!
Template:BPHey, you got some mess to clean up! Leave me alone!
