K109 The Studio

"Disco never dies! Music from the time when Liberty City was fun."

- GTA IV website.

"Join DJ Karl on a journey back to the heyday of Liberty City when disco never died and electronic music was born."

- GTA IV website.

"DJ Karl returns to K109 The Studio with a new mix of club classics from the likes of Chic and Créme D'Cocoa."

- The Ballad of Gay Tony website.

K109 The Studio is a radio station in Grand Theft Auto IV and Grand Theft Auto: Episodes From Liberty City that plays disco music.

Description
The station is hosted by Karl Lagerfeld. The Grand Theft Auto IV version of the station is expanded in the second downloadable episode, The Ballad of Gay Tony.

This is the favourite radio station of Bernie Crane and Tony Prince, and one of the favorites of the Albanian Mob.

Deleted songs
The "american.gxt" file shows that the following songs were planned for this station but did not appear in the final game:
 * Alicia Bridges - "I Love the Nightlife (Disco Round)" (1978)
 * Chic - "My Forbidden Lover" (1979)
 * Gloria Gaynor - "Never Can Say Goodbye" (1974)
 * GQ - "Disco Nights (Rock-Freak)" (1978)
 * Hamilton Bohannon - "Let's Start the Dance" (1978)
 * Michael Zager Band - "Let's All Chant" (1977)
 * Peaches &amp; Herb - "Funtime" (1980)
 * The O'Jays - "I Love Music" (1975)
 * Vicki Sue Robinson - "Turn the Beat Around" (1976)

Radio Station

 * The station plays at the following locations:
 * Alderney Safehouse
 * Hercules
 * The 69th Street Diner
 * Bernie Crane's apartment

Individual Songs

 * "Menergy" by Sylvester, "Shake Your Groove Thing" by Peaches & Herb, "Relight My Fire" by Dan Hartman and "A Lover's Holiday" by Change play during the end credits of The Ballad of Gay Tony.

Gallery
The station has a single billboard in GTA IV.

Trivia

 * One of the tracks, "Walk The Night" by the Skatt Brothers, was the subject of a rather infamous licensing event. Due to the death of Skatt Brothers lead singer Sean Delaney, Rockstar Games hired a private investigator to track down Delaney's surviving relatives to secure the rights of the track as the company felt that the song was essential to the game.

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